12.29am

No better time to start a new blog.

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Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don’t think anything had even seen anything quite like it. The photography was also unlike anything we’d seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them—it’s very interesting. It still holds up, and it’s still shocking. It takes storytelling and throws it up in the air.
Martin Scorsese on Orson Welles and Citizen Kane (via filmcigarettes)

Filed under orson Welles citizen Kane martin Scorsese

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A little girl was in a drawing lesson. [The teacher] said, “What are you drawing?” And the girl said, “I’m drawing a picture of God.” And the teacher said, “But nobody knows what God looks like.” And the girl said, “They will in a minute.”
Sir Ken Robinson, “How Schools Kill Creativity” (via austinkleon)

2,645 notes

npr:

Imagine if you could see the pen Beethoven used to write his Symphony No. 5. Or the chisel Michelangelo used to sculpt his David. Art lovers find endless fascination in the materials of artists — a pen, a brush, even a rag can become sacred objects, humanizing a work of art.

And now, at Washington, D.C.’s National Gallery of Art, visitors can see some of the materials that impressionist Mary Cassatt once used — three well-loved, large wooden boxes of pastels from distinguished Paris art supply stores. Each box is filled with stubby pieces of pastels, some worn down to half an inch, others almost untouched.

Now That’s An Artifact: See Mary Cassatt’s Pastels At The National Gallery

Photo credit: National Gallery of Art

(via wilwheaton)

Filed under Mary Cassatt pastels art

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fuckyeahbookarts:

Ábécés könyv (Hungarian Alphabet Book) by Anna Kövecses

Hungarian-born, Cyprus based illustrator Anna Kövecses, made this for her four year old daughter Rebeka. Here is Anna’s description:

 “This book is the result of a very personal project aiming to introduce a little girl to the 44 letters of the Hungarian alphabet. Illustrations were carefully designed so that every subject that appears in this book is something she’s currently very much interested in. So in one way this book is not just a tool but also a diary documenting a four-year-old little girl’s world in the summer of 2013 on an island in the Mediterranean Sea…” 

(Source: thejealouscurator.com, via teachingliteracy)

Filed under abedecary alphabet book graphic design